Stéphanie Saadé shows that her interest lies in silent spaces where the signs of an absent life can be read. Opening onto emptiness, closed to the future, she suggests nonplaces. Neither their previous use nor their possible purpose is legible. Even their identity is uncertain. A whole mental architecture takes shape, suggesting the paths and wanderings of memory. From the object to the memory or from the memory to the object, her approach is taken up by this dual movement. To achieve this, she creates works that are uncluttered and austere in their execution.
His work was included in the exhibition 'Luogo e Segni' (2019) at Punta della Dogana.