Henri Cartier-Bresson, 'Simiane-la-Rotonde, France, 1969', épreuve gélatino-argentique de 1973 © Fondation Henri Cartier-Bresson / Magnum Photos

Youssef Nabil, 'Say Goodbye, Self Portrait, Alexandria 2009'

Courtesy of the Artist, Pinault Collection

(forefront) Thomas Houseago, Beautiful Boy, 2019. Courtesy of the artist and Gagosian Gallery. © Thomas Houseago by SIAE 2020. Installation View ‘Untitled, 2020. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti.

(From left to right) Enrico David, Senza titolo, 2012. Pinault Collection / Enrico David, Room for Small Head (Nadia), 2013. Courtesy of the artist and Michael Werner Gallery, New York and London / Markus Lüpertz, Helm I, 1970. Pinault Collection. © Markus Lüpertz by SIAE 2020. Installation View ‘Untitled, 2020. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti.

(Foreground, background from left to right) Auguste Rodin, Iris, Messagère des Dieux, 1890-91. Pinault Collection / Valie EXPORT, Verkreuzung, 1972. Courtesy of Galerie Thaddaeus Ropac, London / Paris / Salzburg. © Valie EXPORT by SIAE 2020. / Henry Taylor, Don’t Hate Haitians, 2016. Pinault Collection / Henry Taylor, Untitled (Liz Glynn), 2019. © Henry Taylor. Courtesy of the artist and Blum & Poe Los Angeles / New York / Tokyo / Karon Davis, The Birth of Horus, 2018. Courtesy of the artist and Wilding Cran Gallery. Installation View ‘Untitled, 2020. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti.

(Foreground, left, center and right) Nairy Baghramian, Scruff of the Neck (Stopgap), 2016 / Scruff of the Neck (Stopgap), 2016, Pinault Collection / Scruff of the Neck (Stopgap), 2016, Private collection. / Solange Pessoa, Sem titulo, 2013 / Sem titulo, 2013 / Sem titulo (From the series Dionisias), 2017 / Sem titulo (From the series Mimesmas), Courtesy of the artist and Mendes Wood DM, Sao Paulo / Brussels / New Work / Thomas Houseago, Machine Wall, 2019. Courtesy of the artist, Gagosian Gallery and Xavier Hufkens. © Thomas Houseago by SIAE 2020. Installation View ‘Untitled, 2020. Three perspectives on the art of the present’ at Punta della Dogana, 2020 © Palazzo Grassi, photography Marco Cappelletti.